Richard Bram – ‘Short Stories’

Richard Bram began making street photographs in the early 1980s and was a founding member of In-Public (the part that split off to form UPPhotographers). If you’re aware of all that, then you sort of have an idea of what his pictures might look like: he knows what he’s doing and knows how to do …

LomoChrome Purple Fun with the Minuta Stereo

Well, so much for best intentions… I started this roll of LomoChrome Purple to test the 35mm square mask about a week before the Minuta Stereo Kickstarter ended, and finished it… well, the week after the Kickstarter ended. So apologies to Dominick, and anyone who missed the Kickstarter and that would’ve been swayed by my …

Roy DeCarava & Langston Hughes – ‘The Sweet Flypaper of Life’

Roy DeCarava and Langston Hughes’ The Sweet Flypaper of Life is a classic that I heard of many times, but never really looked too hard for. I can’t say why, really, but when Alec Soth mentioned it during his “Pictures & Words #2,” I ended up jumping on it.

Gordon Parks – ‘The Atmosphere of Crime, 1957’

The Atmosphere of Crime, 1957 presents images Gordon Parks made while working on “The Atmosphere of Crime,” a 1957 photographic essay in Life magazine, and that are now in the holdings of The Museum of Modern Art, New York (MoMA). I started reading the essays and looking through the images a few days before jurors …

Jenia Fridlyand – ‘Entrance to Our Valley’

Jenia Fridlyand‘s Entrance to Our Valley started out as a highly lauded, extremely low edition, self published marvel and a couple of years later, TIS Books reprinted it in a very fine trade edition that promptly sold out. Quite coincidentally, I’m sure, Charcoal Book Club named Entrance to Our Valley as the photobook of the …

David Campany – ‘Gasoline’

David Campany’s Gasoline is a great book, and something of a masterclass in sequencing, pacing, and overall book/zinecraft. The project collects photographs of gas stations Campany acquired over several years from newspapers as they sold off their archives in the conversion to digital, and Campany makes them into a tale of the long-term disaster that …