Melvile Library Gallery, Stony Brook University, January 30 – February 5, 2007 Here. Where is here? Is here a place? A state of mind? When we go ‘there,’ we always end up ‘here;’ yet always, everywhere, I am here and you are there. So where or what is ‘here’? Marinelli’s drawings ask these questions. As …
Author Archives: James Cockroft
Athena LaTocha: ‘Sturm und Drang’
Melvile Library Gallery, Stony Brook University, November 3-11, 2006 ‘Sturm und Drang’ (Storm and Stress), for those who may be unfamiliar with the term, was a cultural movement in the late eighteenth century, built around the desire for freedom of expression and the primacy of instinct and impulse. Members of the group, including Goethe and …
Alan Goodrich: i’m not scared
Melvile Library Gallery, Stony Brook University, October 31 – November 11, 2007 “I’m not scared” the constant refrain of countless Halloween revelers as they travel from horror film to haunted house to trick-or-treating in local neighborhoods made spooky with cotton cobwebs, inflatable ghosts and goblins, and plastic witches and headless horsemen with burning red eyes. …
Karsten Grumstrup: people make tings here
Melvile Library Gallery, Stony Brook University, October 18-31, 2006 Must art tell a story? Must there be a clear narrative in a work of art? K. Grumstrup’s exhibition, ‘people make tings here’ seems to answer these questions with a resounding ‘no’. Each of the works appears to be capable of telling a story, yet none …
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Alton Falcone: “Corrosion: recent sculptures”
Melvile Library Gallery, Stony Brook University, September 21 – October 1, 2006 ‘Corrosion’ is a great title for this show of recent sculpture by Alton Falcone. Filling the gallery are a dozen sculptures of various sizes, some rest on the floor, or on a pedestal or shelf, and others hang from the wall or ceiling. …
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Takafumi Ide: ‘Propagate’
Melvile Library Gallery, Stony Brook University, September 10 – 18, 2006 The gallery is completely dark. At first, the experience is purely auditory: an ambient chord progression, a fetal heart beat, and faint, scattered voices speaking intermittently in various languages. As eyes slowly adjust, we begin to discern the composition of the space. There are …
The Mario Veda
The Mario Veda, a series of works executed between March of 2004 and May of 2006, illustrates what I believe to be an evolution in my intellectual and emotional development, and may represent some of the self knowledge I gained while living in Springfield, Illinois. Initially a reference to a set of characters from video …
