In After the Fact, Tony Foushe attempts to capture “the feelings of anxiety that lurk behind the facade of the everyday… to our increasing uncertainty and fear and to the changing political and physical climates that we find ourselves in these days.” I think he succeeded.
Author Archives: James Cockroft
Polacon 3!
If you’re unfamiliar, Polacon is an annual Instant Film Convention, held the first weekend of the State Fair of Texas, mostly in Denton. I totally missed the first one, didn’t even know about it. I made the photowalk in downtown Denton on the second day of the second one, and was absolutely committed to making …
Noah Waldeck – ‘Instant Winter’
Winter is a strange concept. Up in central Illinois and out on Long Island, it’s obvious: clouds roll in, cold winds blow, snow piles up and gets bulldozed into disgusting grey mountains that persist well into the spring. But down here in Texas, and depending on the year, there might not be much difference in …
Edward Conde – ‘Layover’
In late 2017, Edward Conde got stuck in an airport terminal for seven hours and he made the best of it, shooting a Lomography LC-A 120 camera as he walked around.
Masahisa Fukase – ‘Ravens’
Masahisa Fukase’s Ravens is a classic of the photobook genre and was recently reissued by Mack. The narrative is a little bit frightening, a little bit forlorn, a little bit mysterious, and incredibly beautiful and moving.
Masaki Yamamoto ‘Guts’
Guts is Masaki Yamamoto’s first book, and it’s a viceral, unnerving, gorgeous, and deeply personal portrait of his family, and their life together in a one-room apartment.
Takuma Nakahira – ‘Overflow’
Overflow marked an important transition in Takuma Nakahira’s photography, away from the aure, bure, bokeh of the Provoke era, and concretely anchoring his ideas of the Illustrated Dictionary. In person, I’m sure the 5′ x 20′ arrangement of photographs is arresting and captivating. In book form, though, I’m not sure…