David Campany’s book a Handful of Dust is (unbeknownst to me when I purchased it) a catalog that accompanied his exhibition at LE BAL in 2015/16, titled ‘a Handful of Dust: from the Cosmic to the Domestic.’
Would that I had been through Paris during that time, and known about the exhibition: this book is an incredible scholarly and theoretical exegesis and meditation on photography, that takes its starting point from Man Ray’s Dust Breeding, a photograph of Duchamp’s La mariée mise à nu par ses célibataires, même, aka The Large Glass during its lengthy construction phase, when Duchamp had it laying on a table at the back of his studio, breeding dust, and traveling through the hundred years or so of photography and photography theory since Man Ray opened the shutter on his 4×5 and he and Duchamp went for dinner.
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