DEVELOP!

Heat chemicals, add developer, gently agitate and tap to release any bubbles.

Agitate every 30 seconds for 3:30, then pour developer back into the bottle.

Add the blix and agitate (more gently than I did) every 30 seconds for 6:00.

(Pour the blix back into the bottle.)

Wash continuously for 3:00. It’s now safe to remove the lid.

Add the Stabilizer and leave to sit for at least a minute, then pull film from reels and hang to dry somewhere clean.

And that’s color film developed!

Kono Kolorit 400

I’m sometimes a sucker for sale flyers from camera stores, especially when it comes to Lomography’s rather regular new film announcements. I was able to resist for several months, but Lomo sent me a $10 off coupon that was about to expire—I’m a sucker for that stuff too, apparently—and so I jumped on some Kono Kilorit 400 (now, sadly out of stock at Lomography).

I took a roll along with me on the Chicago Road Trip and loaded it into the FG on the way to Memphis, so you’ve already seen a few pictures from the roll. I should go back and re-process them, though, as I had the white balance pretty far off. The second half of the roll was shot after work and on a brief walk with my darling, adorable wife one Saturday, and (once I got the white balance a bit closer) it performed admirably. Continue reading “Kono Kolorit 400”

Atlanta on business

I agonized a bit over which camera(s) to bring along on this business trip, but realized that 1) I’m unlikely to have much time to shoot, and 2) if I take camera(s) out of the equation, I could fit everything I need for 2.5 days in the camera bag, this removing the need for an overhead spot or checked baggage, and 3) what better time to put Hipstamatic 301 through its paces?
Continue reading “Atlanta on business”

Harmon films – Kentmere 400 (1)

I had a bit of a problem with the LC-A… it wouldn’t wind for some reason, so I stuck it in the dark bag, opened the back, unstuck the film, wound it back into the canister a bit, shot through to where I figured I was on the roll, and only then did I research a bit and find that there was an easy-ish way to fix it: just manually crank the screw bit on the bottom till it clicks.

Also, if you notice the narrative above, I skipped something important: I didn’t check to see where I was on the roll before I rewound it, and so I ended up with some nice double exposures… Happy accidents? Eh, I guess.

So there’s a slight issue with this test of the Kentmere 400.

Alhamdulillah, I still learned some things…
Continue reading “Harmon films – Kentmere 400 (1)”

Harmon Films: Ilford FP4 Plus (1)

Results from the Kentmere 100 were a bit disappointing, with blown highlights and clumpy grain. Both, of course, possibly the result of the 24℃ temperature or some other development issue. I followed times and temperatures included on the box for the FP4 Plus, though, so let’s take a look and see how it held up. Continue reading “Harmon Films: Ilford FP4 Plus (1)”

Harmon films: Kentmere 100 (1)

As mentioned previously, I’ve embarked down the dangerous road* of home processing Black & White film and am checking out some of the (less expensive) Harmon films.

First up, the Kentmere 100.

And apologies for the delay! Eid al Adha came again, Alhamdulillah (and may Allah azza wa jall accept our fasts, sacrifices, and duas), and Hipstamatic 300 appeared, so this got delayed a bit. Continue reading “Harmon films: Kentmere 100 (1)”