Its about time for a new avatar, methinks. The current one on almost all social media is from 2012, and I’ve lost a bit of weight and gained a few grey hairs in the interim.
This one isn’t really in the running, as it’s just a mashup of the current one (from 2012) and a recent Hipstabstraction, combined with the Diana app (review forthcoming, perhaps, someday), then treated with the Mabel Lens and Robusta film in Oggl.
Enjoy 20 pictures of the same (no)thing, shot with the iPhone 5 and Hipstamatic app, and using some of my favorite lens/film combos. If I was a better person, I’d post all the recipes, but… Continue reading “Hipstabstractions”
Well, I just didn’t even try this week. Too busy with other stuff. Makes me wonder if I should give up this photography hobby altogether. I’m ashamed to even be posting these, and I have no plans to post these pictures to G+ or anywhere else. If you clicked this far, apologies, but maybe this will be an object lesson to you: avoid committing yourself to a project unless you’re willing to 1) fail occasionally and 2) actually make the time to work on the project.
A note on Filterstorm Neue: classic Filterstorm is still the king of general photo editing apps on the iPhone, but the Neue version is slowly gaining on it, and I look forward to moving to Neue full time in the coming weeks/months/whenever the developer gets everything in there.
Unlike the first LensBaby week for this 7/52, I started this one intending to use the LensBaby. And as you might notice, I got some somewhat better results (to my eye, anyway). I still wonder what I might be able to accomplish if I had the time and the leisure to really focus on photography: Allahu A’lam.
And Alhamdulillah I have much more to focus on, some incomparably better, others more or less equivalent; more or less chosen.
For those of you outside of Texas, we got about 3 inches of ice Thursday night… It took me 45 minutes to scrape the windshield. Good times. Hence the shift from houseplants to outside plants & trees. In both, I think the LensBaby held its own. Fun stuff.
For most of these, I shot without focusing, or with the old lean forward/lean back focusing method: I didn’t much bother with squeezing/twisting the lens. The minimum focus distance is roughly a foot, more or less. An aperture ring of f/4 or so might have sharpened things up a bit, but I wasn’t looking for sharp: I wanted color and light; form was secondary.
D7000. LensBaby Muse (plastic optic). ISO100, f2, AP mode. Some adjustment in Lightroom to bring out color and cheer things up a bit.
I am thankful for so much this year, I can barely begin to express it all. At the risk of incensing some readers, and with full knowledge that I’ll leave out innumerable blessings, here’s a short list:
Allah azza wa jal, the clear guidance that He sent down to us through His Prophet sallallahu alayhi wasallam, and the ability to worship and give thanks for His blessings and guidance
Farhana Ali, her family, and all the other things that have come through her: surely the greatest material blessing, and one for which I intend to remain thankful
my mother, family, and friends
the sustenance—both food and shelter—provided to Hana and me through our jobs and all other means
my general health and ability to function/persist at whatever level; my particular (and peculiar) brand of reason, skill, ability, and etc.
these material comforts, tools of relaxation and work, toys, and etc.
There is more, much more, I’m sure, and in any and all cases, I say Alhamdulillah (all praise and thanks belongs to Allah).
D7000. Nikkor 50mm f/1.8G (the Sigma 30mm probably would’ve been a better choice for this sort of reportage). ISO100, AP mode, various apertures. Minimal post work in Lightroom 5.
I had no idea what to shoot this week (as usual) and so decided that this would be a good opportunity to for a macro week. GoGo.
But what lens to use? My first thought was to use the Vivitar 50mm f/1.8, but when I went to the the shelf with all the film cameras (when I moved, I’m pretty sure I put all the lenses back on all the cameras, and removed all the reversing & step down rings) but couldn’t find the Vivitar. So I decided to try something different, all spur-of-the-moment like.
This lens came off of my mamiya/sekor 1000DTL camera. I’m not sure about the lineage of this camera, but given that Granddad was mostly a Vivitar shooter (from the kit I inherited from him—which included the 250SL and 50mm f/1.8 (both Cosina-made), the 1:2 teleconverter, a Montgomery Ward-branded 28mm f/2.8, a JCPenny-branded Diamatic 135mm f/2.8, plus some filters and empty film canisters, all in a really snappy metal case with hand-cut foam protectors for all the gear—and from the camera(s) he gave to my mom and aunts (Vivitar K1000s, both of them)), I expect it came from my step-dad Hank.
But I digress.
Day 1: a couple of shots of some houseplants (pictures 1 & 2).
Day 4: some weeds out front of the apartment (picture 3).
Day 6: a bouquet that some friends brought last week (pictures 4-7, including some fun rear-curtain flash work with the pop-up flash!).
I got one really good pic this week, and I’m not sharing it here… It deserves its own post, methinks, and I try to offer a limited edition of prints or something. I like it quite a bit. (More on that later.)
As to to the lens… I love it! It’s sharp enough wide open, and shines stopped down slightly (the first pic was wide open, the rest were shot at roughly f/3.5 (the AUTO has detents at 1/2-stop intervals, and the lens was halfway between f/2.8 and f/4.)). And remember that these were all shot with the lens reversed and on a crop-sensor camera… (One day, I’d like to try this with a full-frame film or digital… my interest is leaning towards film at the moment, but we’ll see, and I have so many old film cameras with no batteries, it seems silly to start buying more. Maybe sell the old ones and buy an nice, manual 35mm Nikon… but that’s a ways off methinks.)
First order of business, though, may be to run a roll of film through the old mamiya/sekor camera. If it’s as good as the lens, I’m in for a treat!
D7000. AUTO mamiya/sekor 50mm f/2, reversed. ISO1600, f/2-3.5, AP mode. Minimal processing, mostly +10 to contrast & clarity, +5 to saturation, pretty good for reversed lenses, easily as good as the Zomb-E (though lacking the ability to focus with the zoom ring).
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