“All Through a Lens,” issue two, is a different sort of zine from Eric Swanger (of Conspiracy of Cartographers fame), all about photographing while traveling, with contributions from Kat Swansey and Hannah Grace.
Continue reading “‘All Through a Lens, issue two’”‘Conspiracy of Cartographers 4: Verichrome’
A “Conspiracy of Cartographers” in color? Yes, please!
Continue reading “‘Conspiracy of Cartographers 4: Verichrome’”‘Conspiracy of Cartographers: Issue 3’
For ‘Conspiracy of Cartographers’ Issue 3, Eric Swanger spent 3 weeks traveling what looks to be the western part of the midwest with a 4×5 field camera and a bunch of film, and he came back with a tale of loneliness and the ghosts that keep watch over the Badlands region.
Continue reading “‘Conspiracy of Cartographers: Issue 3’”Hanabibti, MSW
Congratulations to my darling, adorable wife, the amazing Hanabibti, who recently completed her Master’s degree in Social Work! No longer is she simply Hanabibti, not that she was ever simply anything, but she is now
Hanabibti. Master of Social Work!
Continue reading “Hanabibti, MSW”Kenneth Josephson – ‘The Light of Coincidence’
The Light Of Coincidence: The Photographs Of Kenneth Josephson appeared on my radar thanks to Mike Johnston at The Online Photographer, and I’m better for it.
Continue reading “Kenneth Josephson – ‘The Light of Coincidence’”‘Thomas Ruff’
I picked up this Thomas Ruff catalog (from the “Thomas Ruff” exhibition at Whitechapel Gallery, September 27, 2017-January 17, 2018) on the recommendation of Jörg Colberg more than a year ago, and it’s languished in the “to review” pile ever since… Well, now’s as good a time as any, I guess.
Continue reading “‘Thomas Ruff’”Bill Owens – ‘Suburbia’ (1999)
Bill Owens’ Suburbia became an underground, photo insider classic at the time of its original 1973 publication. This is the “New & Improved” 2002 edition, though I’m not quite sure what is new and/or improved about it.
If you’re unfamiliar, Owens cast his camera on the denizens of three communities Livermore, CA, while working as a staff photographer for the local newspaper. Owens collected quotes from many of his subjects (or, presumably, people just outside of frame) and the quotes appear below many of the photographs, earnest and honest and, now 45 years on, both laughable and wounding.
Continue reading “Bill Owens – ‘Suburbia’ (1999)”