Too Close, part 3

So why do I say it’s too close? Well, at this magnification, the depth of field is really too small to get much in the way of usable shots with moving subjects (e.g. flowers,  under the influence of a gentle breeze). With patience (and a tiny bit of something akin to a spray-and-pray-type approach to …

Too Close, part 1: Hair Studies (2)

The mamiya/sekor 50mm is a wonderful lens, and it’s great for just about any macro situation, what with its excellent sharpness, luscious bokeh, and general ease of use. But I wanted to try something different for a bit… Enter the Nikkor 24mm f/2.8, a wonderful lens in its own right, quite a nice angle of …