Everyone needs a good, fast color stock. And with Fuji(not)Film discontinuing it’s excellent Natura 1600, it looks like we’re down to 4: Cinestill 800T, Fuji Superia X-TRA 800 (but for how long?), Kodak Portra 800, and Lomography Color 800. I’m sitting on a dozen rolls of frozen Natura, but that’s my retirement fund, so I’m …
Continue reading “Lomography Color 800 – first rolls review”
Well, #BIFscale17 is officially over, and I, for one, am thankful to be back to straight shooting. That said, I have a bit of a backlog awaiting some processing, and I should collate some of my thoughts on the redscale process, in general, and the Ultrafine Red Dragon 100 in particular, so here we go, …
I’m intimately familiar with 100 and 400. My favorite black & white film, at present, is the incredible Polypan F 50. I’ve pushed Kentmere and HP5+ to 1600 and pulled some Digibase 2 stops to 50. But ISO 6? Insanity…
Last week, I mentioned that I did some a/b shooting with the JCH Street Pan, loaded in the Lomo LC-A (32mm) and the Ricoh 35 ZF (40mm), and promised a followup… Before I get into it, remember that the LC-A underexposed everything by a couple of stops for some unknown reason (possibly old batteries) and …
Compania Imago is a couple of people in Italy that made some new, reusable film canisters out of wood pulp. They had a failed kickstarter some time ago, but went ahead with their project. Back in January, I ordered 2 rolls of each film that they offered at the time, and they finally arrived just …
I was impressed with the FP4 Plus the first time I shot it and I was looking forward to shooting it again. And after shooting through a roll, developing and scanning it, and processing the files into pictures, it didn’t disappoint, as long as I took the time to compose and consider the outcome.
Yep. I pushed Kentmere 400 to 1600 and developed it and lived to tell the tale. Truth is, there’s not much to tell…
