I’ll just put it right out there: I like the look I get from the Digibase. It’s not all brilliance, but it’s a good film, with good sharpness, contrast, color, and saturation. Plus, the polyester base means I can ‘scan’ it without needing color correction. It’s a shame that it’s discontinued.
Category Archives: Films
Rollei Digibase CN-200 (3) – at Southfork Ranch
One thing I forgot to mention about the Vintage thing: it was held at Southfork Ranch, the setting for much of the Dallas TV show way back when. Back in the 70s and 80s, Southfork Ranch was out in the middle of nowhere, and you could fly over miles of open countryside in a helicopter, as they …
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Rollei Digibase CN-200 (2) – at the Vintage Market Days
A month or so ago, Hana, her sister, and I went to the Vintage Market Days. It wasn’t quite what I expected, and there was a noticeable demographic shift when the three of us (two Bengali ladies and a white male) entered: the number of non-white people increased by roughly 200%; the number of males …
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Rollei Digibase CN-200 (1) – Load Film in Subdued Light
Load Film in Subdued Light… Good advice! Here are the first two frames from a recent roll of Rollei Digibase CN200…
Harmon films – Ilford HP5 Plus (1)
Well, I got through this roll quicker than expected, and despite continued issues with the LC-A. Alhamdulillah, I’m able to get this out quicker than I expected.
Harmon films – Kentmere 400 (1)
I had a bit of a problem with the LC-A… it wouldn’t wind for some reason, so I stuck it in the dark bag, opened the back, unstuck the film, wound it back into the canister a bit, shot through to where I figured I was on the roll, and only then did I research …
Harmon Films: Ilford FP4 Plus (1)
Results from the Kentmere 100 were a bit disappointing, with blown highlights and clumpy grain. Both, of course, possibly the result of the 24℃ temperature or some other development issue. I followed times and temperatures included on the box for the FP4 Plus, though, so let’s take a look and see how it held up.