As far as I can tell, most commercial color negative film can be loaded under whatever lighting conditions you like: I’ve loaded Lomography Color 100 & 400, Fuji Superia XTRA, and some others under cloudless skies at high noon in August in North Texas with no problem. Sure, some of the more niche and limited …
Tag Archives: Nikon FG
Lunchbreak!
I’ve mentioned it a few times already, but over on my tumblog, I’m running an ongoing series of pictures taken with the iPhone, while wandering up, down and around the parking garage or the various strip malls, or down in the strange, brand new, bright and shiny soccer/cricket/lacrosse fields near the creek and wooded area …
Candy
That is all.
Free-Lensing and Filthy Film
One great thing about interchangeable lens cameras is the ability to pop the lens off and hold it a bit away from the camera to add some interesting zoom-type effects or flip it around for some quick and dirty macro. Fun stuff. One horrible thing about the water in Irving is the strong variability in …
Load Film in Subdued Light?
I’m not sure how it happened, but the leader throw-away frames on this roll of Lomography Color Negative 100 came out pretty groovy…
Scribble
You may have noticed a new look here at james.com. It’s a new child theme based on Catherine Moore/Automatic’s Scrawl. I call it scribble.
Harmon films – Kentmere 400 (2), this time at 1600…
Yep. I pushed Kentmere 400 to 1600 and developed it and lived to tell the tale. Truth is, there’s not much to tell…
