Porta 400 and the LensBaby

Some months ago—April, actually—before I went down the Raw Convertor rabbit hole, I burned a roll of Kodak Porta 400 testing out some of the toy/art/fun lenses in my stable. I loaded the film first, likely in late March or so, but forgot what was in the camera when I decided to test these lenses… …

Rollei Digibase CN-200 (4) – Random Thoughts

I’ll just put it right out there: I like the look I get from the Digibase. It’s not all brilliance, but it’s a good film, with good sharpness, contrast, color, and saturation. Plus, the polyester base means I can ‘scan’ it without needing color correction. It’s a shame that it’s discontinued.

Rollei Digibase CN-200 (3) – at Southfork Ranch

One thing I forgot to mention about the Vintage thing: it was held at Southfork Ranch, the setting for much of the Dallas TV show way back when. Back in the 70s and 80s, Southfork Ranch was out in the middle of nowhere, and you could fly over miles of open countryside in a helicopter, as they …

Rollei Digibase CN-200 (2) – at the Vintage Market Days

A month or so ago, Hana, her sister, and I went to the Vintage Market Days. It wasn’t quite what I expected, and there was a noticeable demographic shift when the three of us (two Bengali ladies and a white male) entered: the number of non-white people increased by roughly 200%; the number of males …

Kono Kolorit 400

I’m sometimes a sucker for sale flyers from camera stores, especially when it comes to Lomography’s rather regular new film announcements. I was able to resist for several months, but Lomo sent me a $10 off coupon that was about to expire—I’m a sucker for that stuff too, apparently—and so I jumped on some Kono Kilorit 400 …