Daniel Tim – ‘Close Your Eyes It’s Too Much’

It took a few viewings, but Daniel Tim’s Close Your Eyes It’s Too Much has grown on me. I’ve grown a little bit tired of straight-ahead street photography, and the book is just full of it, shot in Hong Kong, on film, and I’m ashamed to say that the first time(s) I flipped through it, I …

Helmut Newton – ‘Pages from the Glossies’

I have a modest photobook collection, something in the neighborhood of 150 volumes, give or take, and not counting theory books or zines. I’ve tried to be rather democratic in my collecting, picking up books from professionals and amateurs, masters and novices, documentarians and artists, but upon reading Anil Mistry’s review of Pages from the …

Lee Friedlander – ‘The American Monument’

For The American Monument, Lee Friedlander turned his attention to public monuments, photographed in situ (sometimes more situ than in), with all of our forgetting, misremembering, and disregard fully on display. Thousands of negatives, shot over a 12 year period, were edited down to 213, presented singly, or in groups of 2, 3, 4, 5, 6, or 9, and …

Andrew Bellamy – ‘Analogue Photography’

Andrew Bellamy’s Analogue Photography: Reference Manual for Shooting Film is exactly what the title says: a film photography reference manual. It reminds me a good deal of the first photography-related book I bought—Technical Manual of Basic Photography, TM 1-219, July 1, 1941, a manual published by the War Department for the Army Air Forces—crossed with a …

Geoff Dyer – ‘The Street Philosophy of Garry Winogrand’

The Street Philosophy of Garry Winogrand is Geoff Dyer‘s new-ish homage to John Sarkowski, whose Atget and Looking at Photographs form the jumping off point for Dyer’s exploration of the Winogrand archive.  As a Winogrand monograph, it might fall a bit short, though it does include 18 previously unpublished color(!) photographs and a contact sheet from Winogrand’s …