As a bit of a point/counterpoint to Photography Is Magic, let’s take a look at Martin Dietrich & Marius Vieth‘s NEOPRIME: Fine Art Photography, issue 2.
Tag Archives: unboxing
Charlotte Cotton (ed.) ‘Photography is Magic’
The recent glut of photobook purchases continues… Charlotte Cotton’s Photography is Magic is something of a departure for me… I have a variety of photobooks: personal projects; documentary stuff; straight photography; art photography; experimental stuff; etc. But Photography is Magic is different… It’s nominally photography, but most of the photographs look like documentary evidence of performance art, …
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Alekey Titarenko – ‘The City Is A Novel’
Thanks again to Ted Forbes for pointing me to another decent photography book: Alexey Titarenko’s The City is a Novel. Ted knows a good bit more about Titarenko and his style than I do, so if you want a favorable and fairly thorough look at the book, go and have a look. And apologies… I know …
unboxing “A Conspiracy Of Cartographers, vol. 1”
At the suggestion of—I think—the good people at the Film Photography Podcast, I started following @conspiracy.of.cartographers on Instagram. I don’t look at Instagram much, but one day a few weeks ago I called it up during some interminable time on hold or something, and I noted that @loadfilminsubduedlight had put out a zine. Being a bit …
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Laura Wilson – ‘That Day’
By the time you read this, the exhibition at the Amon Carter Museum of American Art will have closed. Apologies. Big thanks to Ted Forbes over at The Art of Photography for pointing me to to it, and to Allah for granting me the ability to go and visit it. You can check out Ted’s podcast on …
Ron Haviv – ‘The Lost Rolls’
I heard about Ron Haviv‘s The Lost Rolls in episode 3.3 of On taking Pictures, which I only started listening to very recently, and which, along with the LPV Show, I’m afraid will be the end of my moratorium on book buying… Be strong, James!
Huger Foote – My Friend from Memphis
After Now Here Then, with its obliterated pictures of eye-widening color, I had to see some more, and sought out a copy of Huger Foote’s 2000 monograph My Friend From Memphis, and I’m so glad I did.
